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Clarisse 811293 Fitted Pearl Beaded Sequin Gown
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Description
About the Dress: Clarisse 811293
Clarisse 811293 is a fully beaded, floor-length fitted gown covered top to bottom in dense pearl-and-sequin embellishment. Every inch of the dress — from the sweetheart bodice to the skirt hem — is packed with beading, giving it a luminous, high-impact finish in both available colorways: Pale Lilac and Pale Mint Green. Thin spaghetti straps frame the deep sweetheart neckline, and the gown closes at the back with an elaborate crisscross multi-strap construction that leaves the entire back exposed. A front high slit adds dramatic movement at every step.
Fit & Silhouette
Clarisse 811293 is a true fitted silhouette — it follows the contour of the body through the bust, waist, and hips without any flare or volume in the skirt. The fit is close and structured from neckline to floor, with the front high slit providing the only opening for stride and movement. This is a long gown designed to hug the figure. If you are between sizes, sizing up and taking in the waist is the recommended approach, particularly with a dress this fitted. The built-in structure at the bodice provides lift and support so a strapless bra is not necessary, though smoothing undergarments underneath will give you the cleanest line through the hips and skirt.
Fabric & Detail
The defining feature of Clarisse 811293 is the all-over beading. The entire dress is covered in a combination of pearl-style beading and sequin embellishment — this is not a beaded bodice over a plain skirt. Both the bodice and the full length of the skirt carry the same dense surface treatment, which is why the gown catches and reflects light from every angle. Pearl strands run throughout the beadwork, giving the embellishment texture and depth beyond a flat sequin finish. The crisscross strap construction at the back is itself part of the embellished design, creating a graphic multi-strap pattern across the exposed back. The gown has a small train at the hem.
Key Features
- Fully beaded from bodice to hem — pearl-style beading and sequin throughout
- Deep sweetheart neckline with thin spaghetti straps
- Crisscross multi-strap open back — entire back exposed
- Front high slit for movement
- Small train at the hem
- Fitted silhouette — contoured through bust, waist, and hips
- Available in Pale Lilac and Pale Mint Green
Style & Occasion
Clarisse 811293 is built for events where the dress needs to do the talking. The all-over pearl-and-sequin beading makes it a natural fit for prom, pageant competitions, formal galas, and black-tie evening events. The front high slit and exposed crisscross back give the gown an overtly glamorous edge — this is not a modest or understated look. It is designed for a night when you want full visual impact. The Pale Lilac colorway reads as soft and ethereal under warm lighting, while the Pale Mint Green takes on a cool, icy luminosity under stage or ballroom lighting. Both shades photograph exceptionally well. Style with strappy heeled sandals to stay in proportion with the slit and slim skirt, and keep jewelry minimal — the beadwork carries the look on its own. A sleek updo or half-up style works well with the open back so the crisscross strap detail is fully visible.
Size & fit
- Fitted (high slit). Bust, waist and hips all matter. Go by your largest measurement.
- Length: Long
- Neckline: V-Neck
- Details: Beaded, Open Back, Train
- Between sizes? Text a stylist and we'll help you choose.
Shipping
- Arrives in 7–12 business days, or 4–6 with Express (+$35).
- Free shipping over $250 to Canada and the USA.
- Text updates as your order ships.
Full shipping details
Your Dress — Delivered in Days, Not Weeks.
We know timing matters — especially for prom, weddings, quinceañeras, and special events.
- Receive your dress within 7–12 business days, depending on designer availability.
- You’ll receive text updates as your order moves from processing to shipping.
- Once shipped, delivery typically takes 2–5 business days within North America.
Need it sooner?
We offer rush options where you can receive your dress within 4–6 business days. Text us at +1 416-536-2956 before ordering and we’ll confirm the fastest possible delivery date.
We are an authorized retailer of top designers, which means your dress ships brand new and directly from the designer or our showroom — never used, never rented.
Have an event date? Add it in your order notes so we can prioritize accordingly.
We proudly ship across Canada, the United States, and Internationally, with in-store pickup available at our Toronto showroom.
Returns
- Tell us within 5 days of delivery.
- 100% store credit, a one-time exchange, or a refund (30% restocking fee).
- Online purchases only; in-store purchases are final.
Full return policy
WE ACCEPT RETURNS!
For Online Purchases Only. All in-store purchases are FINAL.
We hope you LOVE your dress — but if you're not completely satisfied with your online purchase, you may request:
- 100% Store Credit (no expiration).
- A one-time exchange, OR
- A return with a 30% restocking fee, OR
You must notify us of a return within 5 days of delivery (including weekends and holidays — we are open 7 days a week).
We have no control and accept no responsibility for the sizing selected. Please carefully review the size chart before ordering. If you need assistance with sizing, we’re happy to help — text us at +1 416-536-2956.
ORDER CHANGES & CANCELLATIONS
Once your order is placed, you have 5 hours to request a change to the color, size, or style.
If an item becomes unavailable, we will offer alternatives or provide the option of a full refund for that item.
Please see our Returns & Exchanges page for full details.
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Free standard shipping on orders over $250 to the US and Canada. Under $250, shipping is shown at checkout.
Shipping details -
US orders ship from our warehouses in Los Angeles, Chicago and New York. Canadian orders ship from Toronto. No duties to pay at the door.
Shipping details -
Exchange, store credit or refund. Dresses tagged Final sale can't be returned.
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Frequently Asked Questions
Clarisse 811293 is a strong choice for a coordinated group because the design itself is the constant — every person in the gown is wearing the same fully beaded pearl-and-sequin silhouette, the same sweetheart neckline, the same crisscross open back, and the same front high slit. The visual cohesion comes from the embellishment and the silhouette, not from everyone being in an identical color. That means a court or damas group can absolutely split between Pale Lilac and Pale Mint Green and still look unified on stage or in photos.
Pale Lilac and Pale Mint Green are both cool-toned pastels, so they sit naturally next to each other in a group shot without clashing. If you are assigning colors intentionally — for example, the quinceañera or the lead in one color and the court in another — Pale Lilac reads as slightly warmer and Pale Mint Green as icier, so you can create a clear visual separation while keeping the palette cohesive.
For a prom group where everyone is choosing independently, the gown still works well because the dense beading reads as a neutral embellishment under most venue lighting. One person in Pale Lilac next to someone in Pale Mint Green will not look mismatched — they will look intentionally coordinated.
If your group is ordering together, place orders at the same time even if colorways differ. Dye lots can vary between production runs, and two dresses ordered weeks apart in the same colorway may come out at a slightly different intensity. Ordering together eliminates that risk.
For sizing across a group, everyone should measure independently and order the size that fits the largest measurement — typically the hips on this fitted silhouette. Because the gown is heavily embellished and fitted, there is less give in the fabric than in a chiffon or jersey style. It is always easier for a tailor to take a dress in than to let it out, and a dress this beaded should go to a tailor experienced with embellished gowns. Allow extra time for alterations when coordinating a full group — you want everyone done at least a week before the event.
Clarisse 811293 is built for high-glamour events. The combination of full-length head-to-toe beading, a deep sweetheart neckline, an exposed crisscross open back, and a front high slit puts this gown firmly in the category of overtly formal, high-impact eveningwear.
The events it is genuinely suited for are prom, pageant competitions, formal galas, and black-tie evening events. At prom, the gown will be one of the most embellished in the room — in a good way. The pearl-and-sequin beading in Pale Lilac or Pale Mint Green photographs beautifully under the mixed lighting typical of a prom venue, and the high slit adds movement on the dance floor without sacrificing the fitted silhouette. For pageant, this is exactly the kind of fully-beaded long gown that reads as stage-ready — the all-over embellishment and the dramatic back construction are designed for that level of presentation. For galas and formal evening events, the gown has the weight and finish of a couture-adjacent piece that holds its own in a black-tie room.
As a wedding guest, the full open back and high-glamour finish are best suited to evening receptions and black-tie celebrations rather than daytime or traditional ceremonies. It is also not suited for semi-formal events, cocktail parties, or any occasion where the dress code calls for something understated. If the event has a modesty requirement, this gown does not meet it — the back is entirely exposed and the slit is high.
For sweet-16 parties or quinceañera courts that want a dramatic look, it depends on the formality of the event. The gown is long and heavily embellished, but the open back and high slit make it a more mature look than a typical quince court style. Worth discussing with the group before committing.
Bottom line: if the event calls for maximum glamour and the dress code is formal or black-tie, Clarisse 811293 delivers. If the event is anything lower in formality or has modesty expectations, there are other Clarisse styles that would be a better match.
Clarisse 811293 runs close to standard formal wear sizing, but because it is a fully fitted gown with dense beading throughout, the fabric has minimal stretch. Take three measurements before ordering: bust, natural waist, and fullest part of the hips. Use the largest of those three measurements to locate your size on the Clarisse size chart, and when two sizes are borderline, size up. A dress this fitted with this much embellishment is harder to alter if it is too small — taking it in at the waist is straightforward, but adding fabric to a beaded gown is not.
The bodice is structured to provide its own lift and support at the sweetheart neckline, so most people do not need a separate bra. If you prefer coverage underneath, a low-back adhesive solution works best given the open back construction. Smoothing shapewear through the hips will give you the cleanest line under the fitted skirt. Because of the front high slit, you have freedom to move, but the skirt is snug — keep that in mind when choosing heel height, as very high heels require a confident stride in a fitted skirt. Call or text our Toronto boutique at 416-536-2956 and our stylists will help you find your perfect dress.
Because the dress is already doing significant visual work — full-length beading, an open back, a high slit, and a sweetheart neckline — the approach to accessories should be restrained. The beadwork effectively acts as its own jewelry, so heavy statement necklaces compete with the embellishment rather than complementing it.
For shoes, strappy heeled sandals in metallic silver, gold, or a clear strap are the strongest choice. They keep the ankle visible, which matters when there is a high front slit, and the heel height adds proportion to the fitted floor-length silhouette. Avoid a thick block heel or a platform that closes off the leg line at the ankle — the slit reads best with a lean heel.
For jewelry, drop earrings or small huggies at the ear are enough. A delicate bracelet or cuff works if you want something at the wrist. Skip the necklace entirely — the sweetheart neckline and the beading at the bodice fill that visual space on their own. For hair, an updo or half-up style is the right call with the open crisscross back — pulling hair up lets the back construction show fully, which is one of the most distinctive features of this gown. If you prefer hair down, a deep side part that drapes hair over one shoulder will keep the back partially visible.
Both colorways are cool-toned pastels that read differently depending on the lighting of your event venue. Pale Lilac tends to look soft and slightly warm under yellow or amber stage lighting, which can bring out a hint of pink in the purple tone. Under blue-white LED or fluorescent lighting, it reads as a clean, cool lavender. Pale Mint Green is consistently cool under most lighting — it reads as an icy, almost silvery green under white light and holds that quality well under stage lighting.
In photographs, both colors reflect the surrounding light heavily because of the dense beading and sequin surface — the gown effectively picks up and amplifies the ambient color of the room. If your venue has warm lighting, Pale Lilac will photograph with more warmth and depth. Pale Mint Green under warm lighting can sometimes read as almost white in photos at the center of the dress where the beading is most reflective, so be aware of that if you are choosing for a photo-heavy event like pageant.
For skin tone, both pastels work across a wide range, but Pale Lilac is generally flattering on warmer skin tones and Pale Mint Green tends to complement cooler or neutral undertones. This is a personal preference — both colorways are equally popular and the distinction is subtle in person.
A fully beaded gown needs careful handling post-event. Do not machine wash or tumble dry. If the dress picks up a stain during wear, blot — do not rub — and take it to a dry cleaner experienced with embellished eveningwear as soon as possible. Make sure to tell them it is a beaded and sequin gown so they use the appropriate cleaning method. Rough dry-cleaning handling can snag or dislodge individual beads.
For storage, hang the gown inside out in a breathable garment bag — not a plastic one. Plastic traps humidity and can cause beading adhesive or thread to degrade over time. If you are storing it long-term, lay it flat if possible, with tissue paper between the beaded layers to prevent snagging. Keep it in a cool, dry space away from direct sunlight, which can fade the pale colorways over time.
For travel, fold the gown as loosely as possible with tissue paper between layers and carry it on rather than checking it if the event is important enough. Beaded gowns do not pack flat easily, and checked luggage pressure can crush or crack embellishment. A garment bag that fits in an overhead compartment is the safest option.
The structured sweetheart bodice of Clarisse 811293 includes boning and internal construction that provide lift and shape at the bust without requiring a separate bra. Most people wearing this gown will be comfortable without any additional support at the bodice.
The open back and the crisscross strap construction make traditional bras impossible to wear with this dress without showing straps. A low-back adhesive bra or silicone cups are the standard solution if you want additional lift, though the bodice construction is designed to handle that on its own for most bust sizes. If you are on the fuller side of the bust, go up a size in the bodice and have it taken in at the waist — this gives you more coverage and support at the neckline than trying to compress into a smaller size.
For the lower body, the fitted skirt means that anything worn underneath will show as a line through the beading if it sits at the hip. A seamless thong or low-rise smoothing short that sits below the hip line is the cleanest option. Bike shorts or shaping that ends at mid-thigh can bunch at the high slit opening, so keep undergarment hems above the slit or below it entirely.
The fitted silhouette and the weight of full-length dense beading mean this gown has less freedom of movement than a chiffon or A-line dress. That is worth being realistic about. The front high slit is the key feature that makes dancing possible in this dress — without it, a fitted floor-length gown would severely restrict stride. With the slit, you can move, step, and dance without pulling the fabric tight across the knees.
The beading adds weight, which you will feel by the end of a long evening. Most wearers describe the experience as similar to wearing a structured cocktail dress in terms of mobility — you can dance freely from the slit down, but the bodice and upper skirt are close-fitting and do not move with you the way a flowy fabric would. This is a dress designed for presence and impact at formal events, not for hours of high-energy dancing. It is ideal for a prom where you spend part of the night seated or standing and part of the night on the dance floor.
If comfort over a long evening is your top priority, this gown delivers well on comfort at the top half — the bodice is structured and does not require constant adjusting — and gives you enough movement at the leg through the slit to enjoy the dance floor without feeling restricted.