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Clarisse 63152 Strapless Ballgown
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Description
About the Dress: Clarisse 63152
Clarisse 63152 is a floor-length strapless ballgown built around a boned corset bodice and a full tiered ruffle skirt. The bodice has a straight scoop-neck edge across the top and visible boning channels that hold everything in place without straps. The skirt sweeps out in two distinct tiered ruffle layers for serious volume. Hidden pockets are built into the skirt seams. The lace-up corset back lets you dial in the fit. Available in Black and Deep Fuchsia, in sizes 00 through 24.
Fit & Silhouette
Clarisse 63152 follows a classic ballgown shape: a structured, fitted bodice that nips in at the waist and a full skirt that fans out from the hips to the floor. The boned corset bodice is the backbone of the fit — the vertical boning channels keep the bodice upright and create a cinched waist shape without needing a separate undergarment. The lace-up corset back means you can tighten or loosen the gown before the event, which is especially useful if you order between sizes or plan to have it fitted by a seamstress. The skirt is voluminous but not stiff — it moves when you walk and has enough room to dance comfortably. Clarisse runs standard sizing. Order your usual size and plan for a professional hem if needed since floor-length gowns almost always need length adjustment depending on your height and heel height.
Fabric & Detail
The gown is made in a structured satin that holds its shape and has a soft surface sheen. The satin is substantial enough to support the full ballgown skirt without going limp and catches light cleanly across the bodice boning and ruffle layers. The tiered ruffle skirt is constructed from two full ruffle tiers that build the skirt's volume from the hip to the hem — this is structured tiered construction, not a single flounce. The pocket openings are set into the side seams of the skirt so they stay hidden when you stand but are easy to reach when you need them. The lace-up back uses satin ribbon lacing through metal grommets on a standard corset-back closure.
Key Features
- Strapless scoop-neck boned corset bodice with visible boning channels
- Lace-up corset back with adjustable ribbon lacing
- Two-tier full ruffle skirt with dramatic volume
- Hidden pockets in the skirt side seams
- Structured satin fabric with subtle surface sheen
- Available in Black and Deep Fuchsia
- Sizes 00–24 (inclusive sizing up to plus)
- Floor length
Style & Occasion
Clarisse 63152 is built for prom, formal dances, sweet 16 celebrations, debut balls, galas, and evening events where a full ballgown silhouette is called for. The Black colorway is sharp and dramatic for black-tie-adjacent formals and evening galas. Deep Fuchsia reads as bold and celebratory — a strong choice for prom court or sweet 16 entrances. The volume and structure of the tiered ruffle skirt make this gown a statement on its own, so accessories can stay minimal: a pair of strappy heels and a simple earring carry it easily. If you are dressing a group or a court, the clean bodice lines and straightforward color choices make it straightforward to coordinate across multiple wearers. Marlas Fashions is an authorized Clarisse retailer and inspects every gown before it ships.
Size & fit
- Flowy. Bust and waist matter most; the skirt has room for hips.
- Between sizes? Text a stylist and we'll help you choose.
Shipping
- Arrives in 7–12 business days, or 4–6 with Express (+$35).
- Free shipping over $250 to Canada and the USA.
- Text updates as your order ships.
Full shipping details
Your Dress — Delivered in Days, Not Weeks.
We know timing matters — especially for prom, weddings, quinceañeras, and special events.
- Receive your dress within 7–12 business days, depending on designer availability.
- You’ll receive text updates as your order moves from processing to shipping.
- Once shipped, delivery typically takes 2–5 business days within North America.
Need it sooner?
We offer rush options where you can receive your dress within 4–6 business days. Text us at +1 416-536-2956 before ordering and we’ll confirm the fastest possible delivery date.
We are an authorized retailer of top designers, which means your dress ships brand new and directly from the designer or our showroom — never used, never rented.
Have an event date? Add it in your order notes so we can prioritize accordingly.
We proudly ship across Canada, the United States, and Internationally, with in-store pickup available at our Toronto showroom.
Returns
- Tell us within 5 days of delivery.
- 100% store credit, a one-time exchange, or a refund (30% restocking fee).
- Online purchases only; in-store purchases are final.
Full return policy
WE ACCEPT RETURNS!
For Online Purchases Only. All in-store purchases are FINAL.
We hope you LOVE your dress — but if you're not completely satisfied with your online purchase, you may request:
- 100% Store Credit (no expiration).
- A one-time exchange, OR
- A return with a 30% restocking fee, OR
You must notify us of a return within 5 days of delivery (including weekends and holidays — we are open 7 days a week).
We have no control and accept no responsibility for the sizing selected. Please carefully review the size chart before ordering. If you need assistance with sizing, we’re happy to help — text us at +1 416-536-2956.
ORDER CHANGES & CANCELLATIONS
Once your order is placed, you have 5 hours to request a change to the color, size, or style.
If an item becomes unavailable, we will offer alternatives or provide the option of a full refund for that item.
Please see our Returns & Exchanges page for full details.
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Free standard shipping on orders over $250 to the US and Canada. Under $250, shipping is shown at checkout.
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US orders ship from our warehouses in Los Angeles, Chicago and New York. Canadian orders ship from Toronto. No duties to pay at the door.
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Exchange, store credit or refund. Dresses tagged Final sale can't be returned.
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Frequently Asked Questions
The back of Clarisse 63152 uses a traditional corset-back closure: two vertical panels are connected by a ribbon or cord that threads through metal grommets up the center back. This design gives you a meaningful range of adjustment — typically two to three inches in either direction — which makes it one of the most forgiving closures you will find on a formal gown.
Here is how the adjustment works in practice. Before you put the gown on, loosen the lacing from the top down so the back panels open wide enough to step into. Once the gown is on, have someone behind you pull the lacing snug from the bottom up, working toward the top in small increments rather than yanking the whole thing tight at once. Tightening gradually distributes the tension evenly across all the grommets and prevents the ribbon from bunching on one side. When the fit feels right across your ribs and waist, tie the ribbon in a bow or tuck the ends into the inside of the gown.
A few practical things to know. First, the boned bodice does most of the structural work — the boning channels run vertically through the front and sides of the corseted bodice, so the lace-up back is really a finishing adjustment on top of a bodice that already holds its shape. You are not relying on the lacing alone to stay upright. Second, because the corset back adds flexibility, many customers order their true size and use the lacing to fine-tune rather than sizing down. If you are between sizes, it is generally safer to order the larger size and lace in rather than force a smaller size and risk the lacing pulling fully open. Third, if you are having the gown altered, a seamstress can take in the boning panel itself and reset the grommets — this is a standard formal-gown alteration. Finally, the corset back does show when you turn around, so plan for a confident lace-up back look from behind. If you are looking for a more covered look at the back, this is worth factoring into your decision. If you have questions about the specific construction or whether the fit will work for your measurements, our team is happy to walk you through it before you order.
Clarisse 63152 is a full ballgown — strapless, structured, with a tiered ruffle skirt that takes up real space — so it belongs at events where that level of formality and volume feels right. Here is a straightforward breakdown of where it works well and where it might not be the first choice.
Prom and formal dances are the most natural fit. The ballgown silhouette is classic prom dressing, the boned bodice keeps you secure without straps through a full night of dancing, and the pocket feature is genuinely useful for lip gloss and a phone. Both colorways work for prom: Black is a safe, sharp choice for any venue, and Deep Fuchsia stands out on the dance floor.
Sweet 16 celebrations and debut balls are another strong match. The gown has the ceremony and volume that these milestone events call for without veering into the over-the-top embellishment territory of a traditional quinceañera gown. The clean, unbeaded bodice keeps it feeling fresh rather than costume-like.
Evening galas and formal fundraisers or awards events are also well within range. The structure of the gown photographs well under event lighting, and the tiered ruffle skirt gives it a presence that reads well in a large ballroom.
Where Clarisse 63152 is less ideal: it is probably too voluminous for a wedding-guest scenario unless the event is a very grand formal wedding where ballgown volume is expected among guests. The corset lace-up back and ballgown proportions make it a center-of-attention garment rather than a blend-into-the-room guest dress. It is also not the right call for semi-formal events or cocktail-hour events where a shorter or less structured gown would be more appropriate.
If you are comparing this gown to a column or sheath silhouette, the key question is how much you want the gown itself to be a visual statement versus letting your accessories or venue carry the occasion. Clarisse 63152 makes a statement on its own terms.
Clarisse 63152 runs close to standard US formal wear sizing, which tends to run one to two sizes smaller than everyday clothing. The starting point is always your measurements — specifically your bust, natural waist, and fullest hip — compared against the Clarisse size chart rather than the size you wear in jeans or dresses from a high-street retailer.
Because this gown has a boned corset bodice with a lace-up back, there is some built-in adjustment range, usually about two to three inches across the back. If your measurements fall between two sizes on the chart, order the larger size and use the lacing to take it in. Forcing a smaller size when the boning panel does not close properly is not a comfortable situation for an all-night event.
The skirt is cut full and a-line from the hip, so the fit decision really lives in the bodice. If your bust and waist are in different size brackets on the chart, prioritize the bust measurement and plan for a seamstress to take in the waist if needed. This is a standard alteration on structured ballgowns and does not require specialist work.
If you want to talk through measurements before ordering, our concierge team can help — text or WhatsApp us at +1 213-868-3131 or +1 416-536-2956.
Because Clarisse 63152 has a fully boned corset bodice, you generally do not need a separate strapless bra. The boning channels running through the bodice create the same support structure that a bra would provide, and wearing a strapless bra underneath can actually cause fit problems — the bra adds bulk between you and the boning, which throws off how the bodice sits at the chest and can push up or create an uneven line at the top edge.
What the bodice does not provide is shaping in the hip or thigh area, since the skirt is full and unlined in those sections. If you want smoothing underneath the skirt for the silhouette line, a mid-thigh seamless shaper is the standard choice — it sits under the skirt where no one sees it and does not interfere with the bodice fit.
For cups, some customers prefer to add adhesive bra cups or silicone inserts inside the bodice for additional lift or coverage beyond what the boning provides. This is a personal preference rather than a structural necessity. If you do add inserts, do it during your fitting so you can check the bodice line before the event.
One thing to factor in: if you lace the corset back tightly, the bodice compresses through the ribs. This is intentional but worth experiencing during a try-on or fitting session before wearing the gown for six to eight hours at an event.
Almost every customer needs to hem a floor-length ballgown, and Clarisse 63152 is no exception. The gown is cut to a standard model height with heels, which typically sits around five feet eight to five feet nine. If you are shorter than that with your shoes on, the hem will drag.
Hemming a tiered ruffle skirt requires more work than hemming a plain skirt because the tailor needs to adjust each ruffle tier separately to maintain the proportional layering. Budget more time and a slightly higher tailoring fee than you would for a single-layer skirt. When you go for your fitting, wear the exact shoes you plan to wear at the event — heel height changes the hem requirement significantly.
If you are very tall or plan to wear flat shoes, the gown should still hit at or near the floor without needing a hem, but confirm this at a fitting. Asking a tailor to add length to a gown is significantly harder than shortening it, so if you are on the taller end, ordering early and confirming the length before alterations begin is a good practice.
Bring the gown to a formal-wear or bridal tailor rather than a general alterations shop. Structured ballgown construction — boning, ruffle tiers, satin fabric — is standard work for a bridal tailor but can be outside the comfort zone of a basic alterations service.
The ballgown silhouette gives you more room to move than a fitted or fitted gown because there is no skirt tension pulling across your thighs when you step. Clarisse 63152's a-line tiered ruffle skirt opens from the hip, which means you can walk and dance without fighting the fabric. The main thing to get used to is the physical volume — the skirt takes up space on the dance floor, so turns and dips require a little more awareness than a short dress would.
The boned corset bodice holds its position well through movement, which is one of the functional arguments for boning over a standard strapless gown that relies on grip tape and hope. Once the lace-up back is properly tightened, the bodice should stay put through a full night of dancing without needing adjustment.
The pockets are built into the side seams of the skirt and are genuinely functional — sized to hold a phone and small essentials. They are not show pockets. The openings sit in the skirt seams where the ruffle tiers create a natural visual break, so they are not visible when the skirt falls normally. When you put weight in them, there is a very slight pull on the skirt line, which is standard for any skirt pocket. Keeping bulky items out of them during dancing is a reasonable call.
Satin in Black photographs very cleanly and consistently — what you see in product images is a reliable guide to how the gown looks in person. Black satin picks up light on its surface sheen, which means the bodice boning lines and the ruffle tier edges will catch venue lighting and add dimension to the gown even in a dark-colored fabric. Under event lighting, Black satin often looks richer and more dimensional than it does in a flat studio photograph.
Deep Fuchsia in satin is a saturated, bold pink with significant warmth — closer to a true hot pink than a soft rose. On screen, fuchsia can read slightly more red-toned or slightly more pink depending on your monitor calibration. In person, Deep Fuchsia satin is vivid and photogenic under event lighting, especially in photos where flash or stage lighting is involved.
How to choose: if you want a classic, versatile gown that works for any formal venue and photographs well in any lighting, Black is the lower-risk choice. If you want to make a strong color statement — especially for prom or sweet 16 where standing out is part of the point — Deep Fuchsia delivers that. If your group or court is coordinating colors, Deep Fuchsia pairs well with Black accessories and can coordinate with neutral or black secondary gowns. Both colorways are available in the full size range 00–24.
For shoes, the ballgown skirt covers your feet almost entirely when you are standing, so your shoe choice is mostly about comfort and heel height for the hem fit. Strappy heeled sandals are the most common pairing for strapless ballgowns — they add height without adding visual weight to the ankle. Closed-toe heeled pumps work equally well. If you prefer a lower heel or a block heel for dancing comfort, that is a practical choice; just confirm your hem length at the fitting with the heel you plan to wear. Flat shoes are possible but will require taking the hem up significantly.
For jewelry, the strapless scoop-neck bodice gives you a clean collarbone and shoulder area to work with. A statement earring — drop or chandelier style — is the classic pairing for a strapless ballgown because it fills the visual space at the neck and shoulder without a necklace competing with the bodice line. If you prefer a necklace, a delicate chain or a shorter pendant necklace sits well on the clean neckline without overcrowding it. A statement necklace can work but requires a more minimal earring to avoid visual overload.
For Black, metallic silver or gold both work; gold adds warmth, silver keeps the look sharper. For Deep Fuchsia, gold jewelry reads more harmonious with the warm pink tone. A small evening clutch in metallic or black completes the look without pulling attention from the gown.